Signed left under 'Jeroen Bosch' .

In 1989, the Louvre laboratory found the award to Bosch "dubious", which allowed the export of table out of France. In 2001, the dendrochronological analysis by Peter Klein demonstrates that the Panel could be painted from 1494, but more likely from 1504. Paul Vandenbroeck then proposed to assign the table to the "entourage" of Bosch and, possibly, to Gielis Panhedel. In 2004, Frédéric Elsig offers to date Madonna and child around 1505-1510. There having observed a way quite fluid but less flexible than the Bosch, Elsig sees the hand of an employee of the master. According to this same researcher, the artist in question, it presents as the lead author of the last judgement of Bruges, could be Anthonis van Aken, a nephew of Bosch. Unable to directly examine the table before the publication of the Catalogue raisonné in 2016, the BRCP experts have not proposed assignment. They felt, on the basis of the documentation gathered by the Centre for research and restoration of museums of France, that it could be "a work very close to Jérôme Bosch" 3 and that a new scientific analysis is necessary in order to "decide the status of this Panel" .