Cat. Berlin 2016
Hieronymus Bosch und seine Bildwelt im 16. und 17. Jahrhundert – Für die Gemäldegalerie und das Kupferstichkabinett der Staatliche Museen zu Berlin herausgegeben (Stephan Kemperdick et al.) 2016
[Exhibition catalogue (Berlin, Gemäldegalerie und Kupferstichkabinett der Staatlichen Museen Preussischer Kulturbesitz, 11th November 2016 – 19th February 2017), Staatliche Museen zu Berlin Preussischer Kulturbesitz-Michael Imhof Verlag, Berlin-Petersberg, 2016, 184 pages]
The catalogue of the Hieronymus Bosch und seine Bildwelt im 16. und 17. Jahrhundert exhibition (Berlin, Staatliche Museen) has seven introductory essays and 34 catalogue numbers. For the introductory essays, see Kemperdick 2016, Dyballa 2016, Rössler 2016, Seidel 2016, Bevers 2016, and Lorenz 2016. The seventh essay focuses on Goya’s Capricho 43 print and is less important for the study of Bosch. The major items of the exhibition and of the catalogue are Bosch’s St John on Patmos panel, Lucas Cranach’s copy of Bosch’s Vienna Last Judgement, a copy of the interior panels of Bosch’s Lisbon St Anthony triptych, a copy of the central panel of Bosch’s Adoration of the Magi triptych (Prado), and a copy of the central panel of the Garden of Delights. Except for this last painting, all these works are owned by the Staatliche Museen. Other items are: five Temptations of St Anthony by Bosch followers, eight drawings by Bosch and/or his workshop, a copper engraving by Alart Duhameel, some ten drawings by Bosch followers, and four engravings published by Hieronymys Cock.
[explicit 24th February 2018]
