...combined extreme sexual libertinism with extreme violence, condemned all ecclesiastical and civil institutions, and rejected the most sacred elements of Catholic doctrine. During Bosch’s lifetime these heretical Free Spirit...
...combined extreme sexual libertinism with extreme violence, condemned all ecclesiastical and civil institutions, and rejected the most sacred elements of Catholic doctrine. During Bosch’s lifetime these heretical Free Spirit...
...can be compared to the works of Thomas Murner, Teofilo Folengo (Merlin Cocai), and François Rabelais. These writers also make use of grotesque-comical forms whose content focuses on the contemptus...
...is well-known. In 1980 this German art historian (professor at the University of Göttingen) published his dissertation: a very thorough and reliable analysis of early Bosch imitators from the first...
...Bosch reception. In chapter IV, the last but definitely not the least interesting one, Hoffman is looking for reliable criteria when it comes down to assess the authenticity of...
...on the central panel, and when the triptych is opened the bodies of the Man of Sorrows and of the Crucified One open as well in order to show the...
...anxiety than in the pleasure of his prosperity and joy. Furthermore, frogs by nature croak at the coming of storms and rain. For when an envious person hears of the...
...central panels has turned into the Treeman). In chapter 6 the Garden is being compared to the Haywain triptych. Any interpretation of the Garden’s interior panels should begin with motifs...
...as a quest for an ideal state of being; and they both use the allegorical framework built upon the metaphor of quest to support extended comments on important intellectual and...
...11 (2011), nr. 12. URL: http://www.sehepunkte.de/2011/12/kommentar/stefan-fischer-ueber-rezension-von-hieronymus-bosch-72/ (geraadpleegd 7 augustus 2022). Ook Peter Dinzelbacher publiceerde online een commentaar bij de recensie van Pokorny, in: Sehepunkte 11 (2011), nr. 11. URL: http://www.sehepunkte.de/2011/11/kommentar/peter-dinzelbacher-ueber-rezension-von-hieronymus-bosch-69/...
...typology of the coming of Christ as a prefiguration of the coming of Antichrist. ‘My eschatological interpretation of the interior panels of the Prado Epiphany is grounded in early modern...