...on the central panel, and when the triptych is opened the bodies of the Man of Sorrows and of the Crucified One open as well in order to show the...
...on the central panel, and when the triptych is opened the bodies of the Man of Sorrows and of the Crucified One open as well in order to show the...
...geliefde: And because this composition is my arrière-ban as well as the last hope I can muster, I must speak more forcefully in it than I did in all the...
...the facts plain and simple. And in addition there is an illustrated overview of all known Bosch related paintings that aims for completeness, a first, and that will hopefully facilitate...
...it wants to be a comprehensive and practical guide for moral instruction, so that people might avoid damnation and seek beatitude. As a consequence, it is the most exhaustive text,...
...central panels has turned into the Treeman). In chapter 6 the Garden is being compared to the Haywain triptych. Any interpretation of the Garden’s interior panels should begin with motifs...
...Zij vermeldt in dit verband vooral Van Lennep, die werkte in het spoor van Combe. Dixon kondigt nu aan dat zij wil verderbouwen op het werk van Van Lennep door...
...Naast hem staat een vrouw die met de linkerhand blijkbaar een stokje vasthoudt. Het andere uiteinde van het ‘stokje’ bevindt zich tussen de opgeheven linkerhand en de mond van de...
...en stenen en is geschreven in proza. McCulloch [1962: 15] geeft als omschrijving: ‘a compilation of pseudo-science in which the fantastic descriptions of real and imaginary animals, birds and even...
...11 (2011), nr. 12. URL: http://www.sehepunkte.de/2011/12/kommentar/stefan-fischer-ueber-rezension-von-hieronymus-bosch-72/ (geraadpleegd 7 augustus 2022). Ook Peter Dinzelbacher publiceerde online een commentaar bij de recensie van Pokorny, in: Sehepunkte 11 (2011), nr. 11. URL: http://www.sehepunkte.de/2011/11/kommentar/peter-dinzelbacher-ueber-rezension-von-hieronymus-bosch-69/...
...typology of the coming of Christ as a prefiguration of the coming of Antichrist. ‘My eschatological interpretation of the interior panels of the Prado Epiphany is grounded in early modern...