Within an open spherical shape (probably suggesting a terrestrial globe) seven genre scenes, each of them referring to one of the Seven Deadly Sins, are placed in the foreground of...
Within an open spherical shape (probably suggesting a terrestrial globe) seven genre scenes, each of them referring to one of the Seven Deadly Sins, are placed in the foreground of...
...us with a reliable standard to distinguish authentic works by Bosch from the work of imitators or pupils. This is nicely illustrated when Janssen compares the funnel beaker on the...
...1983: 8-9 (A37)] Linfert’s approach of Bosch is a traditional one: Bosch is a moralist who has to be placed in the context of the lay communities that preceded...
...He miraculously brought to life. This bringing to life quickly came to syand for the idea of Resurrection. The swallow, long considered as a sign of spring, of the rebirth...
...op bedevaart wil gaan: Hier om soe laet u lopen wesen, / Ende neemt exempel anden anderen, / Die belopen ende bewanderen / Scaemt ende schande, die langhe duyrt, /...
...alse ene bloeme des hoys, dat hoey es verdroeget ende sine bloeme viel af, maer dwoert Gods blijft ewelec. 1f Openbaring 8, 7 Openbaring ed. 2001 (circa 1400) 82...
...in this life while the impious flourish. The book treats of the two cities, Jerusalem and Babylon, and their kings, the king of Jerusalem being Christ, the king of Babylon,...
...been a case for psychoanalysis, but not for the Inquisition.’ Panofsky is van oordeel dat het werk van Bosch nog niet ‘ontcijferd’ is en hij acht zichzelf daar ook...