Within an open spherical shape (probably suggesting a terrestrial globe) seven genre scenes, each of them referring to one of the Seven Deadly Sins, are placed in the foreground of...
Within an open spherical shape (probably suggesting a terrestrial globe) seven genre scenes, each of them referring to one of the Seven Deadly Sins, are placed in the foreground of...
...in this life while the impious flourish. The book treats of the two cities, Jerusalem and Babylon, and their kings, the king of Jerusalem being Christ, the king of Babylon,...
...us with a reliable standard to distinguish authentic works by Bosch from the work of imitators or pupils. This is nicely illustrated when Janssen compares the funnel beaker on the...
...1983: 8-9 (A37)] Linfert’s approach of Bosch is a traditional one: Bosch is a moralist who has to be placed in the context of the lay communities that preceded...
...been a case for psychoanalysis, but not for the Inquisition.’ Panofsky is van oordeel dat het werk van Bosch nog niet ‘ontcijferd’ is en hij acht zichzelf daar ook...
...uwer sciencie sonder groot gheruft of exclamacie, veynsende dat ghy compassie hebt op die verliesers. Boeck vander Voirsienicheit Godes ed. 1930 (XV) 163 (regels 4-7). Stichtelijk prozatraktaat. In verband met...
...1-7). Latijns hoofdzondentraktaat. With respect to Christ’s coming or incarnation, we should know that he comes in three ways: into the Virgin’s womb, into man’s heart, and in the final...
...Schwartz even later, ‘that Bosch would have come up with this image [de zielen uitscheidende duivel] without knowing and having been impressed by Tondal’s vision?’ [pp. 161-162]. Omdat ikzelf...
...have beautiful tresses and beautiful clothing, they venyure forth from their homes. And they go making visits to neighbors – to the men no less than the women. They roam...
...the Ishmaelites [lees: de Arabische moslims] may disturb but cannot demolish the dominion of the Roman Empire, the kingdom of the Christians, and even when all lawful power and authority...