...it is different. This suitor’s courtship is openly passionate and proudly virile. His instrument has perhaps the most obvious sexually-alluding shape of any instrument, for its chanter pipe and windsack...
...it is different. This suitor’s courtship is openly passionate and proudly virile. His instrument has perhaps the most obvious sexually-alluding shape of any instrument, for its chanter pipe and windsack...
...the Museum, with support of the Harris Brisbane Dick Fund. Similar compositions as the painting in private possession of Mangilli Valmarana in Venice, See also Bergmans 1963, nr. 175 en...
Verso: Grotsque Heads (4) Charles de Tolnay (1986) possibly attributes the drawing to Alaert Du Hameel....
...a combination of historical sense and some inclusive common sense. Als dit laatste al bedoeld is als een eigen geluid (ons lijkt het eerder het intrappen van twee open deuren),...
...interpretations of his often bizarre oeuvre tend to diverge widely. This offers the author of a romanced biography the opportunity to give free rein to his fantasy and John Vermeulen...
...watching. Unlike the painting in the Prado, this is not a depiction of a satanic figure in hell, but - like the drawing in Vienna - it is a curious,...
1 De gans in de bestiaria Bestiary ed. 1993 (XIIIb) 168-169. Latijns bestiarium. Ganzen zijn goede nachtwakers (zie het Kapitool): as Rabanus says, they stand for provident men, watchmen who...
...in Corinthians, ‘the rock (petra) was Christ,’ and put it between out good deeds and the wind of praise and glory, so that we orient our deeds only toward God....
...Brand Philip en Andrew Pigler: er is volgens haar een duidelijk verband tussen Bosch’ tondo en de astrologische beeldentaal rond Saturnus, want de landloper hinkt en draagt een stok, net...