...in Gibson 1983]   By means of a (on the whole rather obtuse) comparative anthropometric analysis the authors have studied three supposed Bosch portraits and twelve faces of figures in...

Blockx 1972 “Het godsdienstig leven ten tijde van Hiëronymus Bosch” (K. Blockx) 1972 [in: R.-H. Marijnissen et al., Hiëronymus Bosch, Arcade, Brussels, 1974 (2) (first edition: 1972), pp. 113-130] [Also...

...high rate of equality between all parts (Wayfarer, the Madrid St. Anthony).   Next come the drawings. Tolnay and Baldass divided them into three groups: sketches preparing the composition of...

...reliable, but this is just another trait of historical fiction and the author should not be blamed for it. Even less so when we are dealing with comical concoctions such...

...  On the occasion of the Rotterdam Bosch Exhibition (2001), a number of utensils in Bosch’s paintings were compared with archaeological findings from ’s-Hertogenbosch. This article (a sequel to Janssen...

...small selection. On the other hand: the information given is very reliable in most cases and only rarely can the author be blamed for a sloppy comment. For example: it...

...the result of a thirty-year research in the archival records of (mainly) ‘s-Hertogenbosch and Nijmegen. As the author reports himself his research had not yet been fully completed but the...

...left hand. According to Snyder this is an important discovery: if more of these stylistic characteristics can be revealed we would have a number of reliable standards to sort authentic...

...belongs to the basically reliable kind. Apparently Schwartz has read Bax, Marijnissen ànd Vandenbroeck and his (as a result of the thin nature of this book: limited) approach of Bosch...

...later date are not always reliable: the name ‘Bosch’ soon became a general label for everything that was grotesque or fantastic. An example is the written source dating from 1589...